bruno neiva

PARCELS / bruno neiva / 2012-2014 / 25 units
 
artworks / series
alas
brush and measuring tape
Class Consciousness
dependurável 1
Homenagem a Álvaro Lapa 1
L’Après-Midi d’une Bacchante
notebook 1
PARCELS
Projectos para poiso 1
seen
sujeito 1
yet
 
editions
michelin, un poisson (capítulo um) 
5-pack 
averbaldraftsone&otherstories
this is visual poetry by bruno neiva (threshold drafts)
 
Casa Museo Casares Quiroga
12, Panaderas
15001 A Coruña, Spain
02/09/2014 - 28/09/2014

 

PARCELS is comprised of an heterogeneous set of text artworks where language registers and typography are combined with image and composition through several techniques, ranging from the usage of poor/found materials to digital processes, resulting in a tension between text, image and media.

PARCELS is also an homage to the artists Marcel Broodthaers, Ana Hatherly and Álvaro Lapa.

#14

servantdrone:

#14 (neiva)

tips on drying out soggy running shoes, admission fee devoted to some cause, users expect functionality, ink aficionados, share your achievements, users expect reliability, lower back and buttocks and legs, all very simple, run for a bit, users edit photos, the most committed…

KITCHEN TABLE (to Mira Schendel)

 

KITCHEN TABLE (to Mira Schendel) / bruno neiva  / 2014

 

PRISM

Volume 4

Wagga Wagga, New South Wales, Australia

August 2014

 

 

KITCHEN TABLE (to Mira Schendel)

 

1.

newspaper headlines all over the kitchen table

 

art dealer’s lips, slips

 

knotted rice paper

sheets of glass

 

spattered lettering: through/across

 

2.

(hollow vessels all over the downtown district softly form knobbly nets)

 

3.

precariously – the viewer

 

4.

‘s

fingering

dots/squares/powder

 

5.

MONOTRANSFERTRANSFERTRANSFERMONO

 

6.

\        /       \        /        \        /        \        /

 

7.

mute tactile clay

sprinkled fingernails

 

8.

peering through acrylic ceilings: hole punch constellations

 

9.

\   T   /  H   \   R   /   E   \   A   /   D   \   S   /

 

10.

scowling and chain-smoking

(so they say)

 

– and yet

 

ROLLS

 

michelin, un poisson (capítulo um)

 
michelin, un poisson (capítulo um). A Coruña, Spain: umaestruturaassimsempudorredições, 08-2014. 

 
description
artist book
14 texts
2 pages (front and back)
b/w printing on duplex board
dimensions: 8.3 x 5.8 inches
design and manufacture: bruno neiva and bárbara mesquita
circulation: 50 numbered copies 

language: Portuguese

#13

servantdrone:

#13 (hawkins)

shrike, a shirt and Brooklyn salt
ice spine the poverty minted

salmon catch minted water memory
a Rose love-tattoo

#13 (neiva)

tour de booze, low-season

enrolment fare, cloaked

in juvenilia,

handkerchiefly (to say

the least) bearing

miscellaneous

sighs, sugar crumbing

along narrow avenues,

coping with attendance,

quarrelling over the correct

usage of the jaw, not a hint

nor an inkling, utterly

drunk on the so-called

LIQUIDS

#12

servantdrone:

#12 (neiva)

1. how sad and

so on been

and gone and

so on how sad

2. statement you

are not am

I statement

cuckoo clock in

3. all too

familiar all

in all mostly

the patient

4. prior to would

soon as long

as prior to

admission

5. on strike and

vinyl or is

it just…

quase-textos 1.1 - 1.4

 

quase-texto 1.1 / bruno neiva / 2012 / mixed media on cardboard / 97 x 70 mm

quase-texto 1.2 / bruno neiva / 2012 / mixed media on cardboard / 106 x 73 mm

quase-texto 1.3 / bruno neiva / 2012 / mixed media on cardboard / 143 x 131 mm

quase-texto 2.1 / bruno neiva / 2012 / mixed media on cardboard / 105 x 67 mm

 

otoliths

Issue 34 (pt. 2)

Home Hill, Queensland, Australia

July 2012 (online version) / July 2012 (print version)

#11

servantdrone:

#11 (hawkins)

Caught short in Dream Doors,

a noodle-speciality-cum-guarana bar,

she made an excuse for

her lacking liquidity;

something about her boyfriend’s

2CV obsession,

the politics

of cash vs plastic

(not being what it used to be)

and agreed with the intern

that, damn right,

#10

servantdrone:

#10 (neiva)

YOU CALL IT PROFESSIONAL FOOTING

I CALL IT DRIVEL-MAKING

YOU CALL IT MONEY FOR OLD ROPE

I CALL IT EMBELISHMENT

YOU CALL IT CONGLOMERATE

I CALL IT CAR PARK

YOU CALL IT OUTCRY

I CALL IT BALD PATCH

YOU CALL IT YOUTH TEAM

I CALL IT ACNE

YOU CALL IT BRAND

I CALL IT BOREDOM

#9

servantdrone:

#9 (hawkins)

I heart Hackney

with all my spleen

I’m no I’m no no I’m no no no

Sneaky Joe I never knew

what did trim the fat from that Kingsland Road roadkill

we skinned and keelhauled

over sizzle-peel oil drum

sucked and shaved it all in one sitting

one night in Waterloo arches.

polar coordinates

 

polar coordinates / bruno neiva / 2014 / digital animation

 

Fake Poetry

London, UK

July 2014 

 

(1) trois/(2) trois / bruno neiva / 2012 / digital collage / 2 units

 

Liverpool & Nottingham, UK
July 2014

#8

servantdrone:

#8 (neiva)

1) we’ve just learned that a bargain’s been struck they promised to deliver huge business opportunities to those involved they’re giving advice they’re having meetings that’s all any personal gain whatsoever

2) TAPS TAKE FOREVER TO RUN HOT often a result of a badly designed…

#7

servantdrone:

#7 (hawkins)

because

of england

i’m packed

to feast on

(love ‘em)

half price

deficiencies

vows

supremely

free

protestor

#7 (neiva)

post strata fountain pen commuter at eighteen home town beaten up on stage former sweeper cod sod pleading for red card yet no cream no sugar no country thanks for asking though 

she/items

 

she/items / bruno neiva / 2014 / digital animation

 

Video and reading by bruno neiva for his prose poem “she/items” (poem published in Boscombe Revolution, Issue 2 and videopoem first exhibited at its launch in Vita Nova Theatre Space, Boscombe, UK, 27th June 2014)